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Since defecting from Cuba and settling in Los Angeles in 2009, the extravagantly gifted pianist has enjoyed a precipitous rise to international prominence, championed and produced by Quincy Jones. While rooted in Cuban music, his new album “Tocororo” (Mack Avenue) features an eclectic roster of guest artists, and what’s most striking, aside from his prodigious technique, is the way that Rodriguez invites the musicians into his arrangements. The French/Cuban sisters Naomi and Lisa-Kainde Diaz, who perform as Ibeyi and recently contributed to Beyonce’s “Lemonade,” add some sleek R&B gloss to the opening invocation “Yemaya,” while South Indian singer Ganavya Doraiswamy adds soaring vocals to the album’s title track (which takes its name from Cuba’s colorful national bird).

Spanish woman's custom made to order silver glitter ballet flats. glitter flats. slip on shoes vocalist Antonio Lizana draws out the flamenco influences in the great Cuban composer Ernesto Lecuona’s “Gitanerias” and Lebanese trumpeter Ibrahim Maalouf brings a doleful beauty to “Venga la Esperenza,” a ballad by the influential Cuban troubadour Silvio Rodriguez, “Cuba will be in my music forever, but the U.S, is very multicultural and I’m collaborating with artists from all over the world,” says Rodriguez, 30, who performs Monday at Kuumbwa, He returns to the Bay Area over the summer for performances at the SFJAZZ Center (Aug, 13), San Jose Jazz’s Summer Fest (Aug, 14), and the Monterey Jazz Festival (Sept, 16)..

“I just try to do with music what I am experiencing in the moment,” he says. “We put so many borders and barriers in our lives, not just with music. It’s all about unity, that’s what music is for.”. Cuba doesn’t produce much for export, but when it comes to piano talent the island continues to deliver a bountiful harvest. Rodriguez joins an astounding keyboard lineage that stretches from Chucho Valdes and Frank Emilio to Gonzalo Rubalcaba and Manuel Valera (who both preceded Rodriguez at Havana’s prestigious Manuel Saumell Conservatory).

He discovered jazz at 15 when his uncle gave him Keith Jarrett’s classic solo piano album “The Koln Concert” (ECM), Drawn in by Jarrett’s classical technique, he was seduced by the spontaneous flow of ideas sustained throughout the course of a long recital, “He was improvising all the time and doing whatever he feels,” Rodriguez says, “I thought, ‘I want to do woman's custom made to order silver glitter ballet flats. glitter flats. slip on shoes that.'”, Like earlier Cuban pianists who have found a home in jazz, he is steeped in the European classical tradition and Cuban folklore, but he’s engaged with popular Cuban songs in a way that sets him apart from his peers, He credits his father, a popular singer, with filling his childhood with songs from the golden age of Cuban music in the 1940s and ’50s..

It’s no coincidence that he opens the album with a brief arrangement of “Chan Chan,” the song by Compay Segundo that helped turn the octogenarian Buena Vista Social Club vocalist into a global star. Rodriguez pays homage to Cuba’s heritage by re-imagining it from the global perspective he’s attained since leaving his isolated homeland. He’s forged a particularly fruitful relationship with the great Cameroonian-born bassist/vocalist Richard Bona, with joins him on a slyly playful version of Eliseo Grenet’s “Ay! Mamá Inés” from the 1920s.

“I always go back to woman's custom made to order silver glitter ballet flats. glitter flats. slip on shoes my roots for covers,” Rodriguez says, “It’s very interesting how musicians from all over the world approach these Cuban songs, We have a very strong tradition from Africa, not just in the music, Richard Bona and I were listening to traditional music from Cameroon, and it sounded very similar to traditional music from Cuba, and we decided to do that song.”, For the Kuumbwa performance Rodriguez is playing with a stellar trio featuring Bulgarian-raised bassist Peter Slavov and Puerto Rican drummer Henry Cole (who’s played often in the Bay Area with SFJazz alto saxophonist Miguel Zenon), They’ll be joined by the fervently creative Doraiswamy, who performs on his latest album and has collaborated with jazz visionaries like Wadada Leo Smith, Danilo Perez and James Newton..

Trained in an array of South Indian art forms, including Bharatanatyam dance and the Varakari devotional vocal tradition, Doraiswamy translates and sings jazz standards in Tamil, and recasts Carnatic songs in new contexts. Introduced to her music by a mutual friend, Rodriguez invited her to contribute to the new album, where her vocals evoke the title track’s ornithological inspiration. “I wanted to find a voice that could fly like a bird,” Rodriguez says. “And Ganavya flies when she sings.”.

This big-concept, seven-part ballet — choreographed by Helen Pickett, and first performed May 6 at San Francisco’s Yerba Buena Center for the Arts — is meant to be all about water, Set to a score by film and television composer Jeff Beal (“House of Cards,” “Monk”), it was costumed by Emma Kingsbury and given an evocative lighting design by Nicholas Rayment, The woman's custom made to order silver glitter ballet flats. glitter flats. slip on shoes work was, in part, prompted by Jessica Yu’s 2011 documentary film “Last Call at the Oasis,” which shows the frightening state of the Earth’s water systems, But rather than give us an environmental, political or even poetic dance on this subject, choreographer Pickett — a noted resident choreographer at Atlanta Ballet — has devised (in her words) “a celebration piece … focusing on the abundant power and beauty of this necessary element.”..

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