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The central tale remains unsullied, though, and by creating a work that counters a long legacy of ballets presenting the female lead as a trapped or victimized creature (often nonhuman), and the male lead as her putative savior, Cranko added a more nuanced story, with a feminist perspective, to the ballet canon. Jane Bourne staged the work with impeccable focus and flow. When we first meet Tatiana, her nose is in a book, and Kochetkova makes it clear that the book’s attraction is greater than the pull of girlish preening. Her Tatiana is a passionate and principled dreamer and thinker — a young woman in the vanguard.

Her thoughtfulness is echoed by the more impulsive Lensky (Gennadi Nedvigin), the suitor of her sister trust me ballerina *h459* 8 inch sticker decal ballet dance dancer shoes Olga (Lauren Strongin), A sensitive and romantic man, he comes to be so offended by the callowness of his friend Onegin that he challenges the latter to a duel — and loses, Nedvigin, playing his final role with this company, is perfect as the tender-hearted man, while Strongin’s Olga captures the insouciance of an airhead with hardly any moral sense, But it’s Luiz who nearly steals the show, He proves Kochetkova’s equal in every way, His portrayal of Onegin has sorrow at its core, buried beneath the layers of scorn and superiority, It is a superb accomplishment, right down to the impatient fingers and sorrowful, if intolerant, gaze, He provides the needed magnetic force to balance Kochetkova’s girlish-to-fierce depictions of Tatiana..

Cranko created bard-like parallels and narrative inversions in the ballet, which imbue the dance with a poetic structure that visually cements the moral challenges posed by Pushkin. Acts 2 and 3 are each punctuated by a fateful ball. And in Scene 2 of Act 1 and scene 2 of Act 3, Onegin and Tatiana dance — first in a dream and second in reality, when the man encounters her as a mature married woman and confesses his love for her. The first dance is full of youthful pyrotechnics, and the second echoes it but with more subdued steps and lifts, tinged with melancholy. While Tatiana continues to love him and the dancing seems to tear her apart, her commitment to the people in her life and to her own values supersede the pull of her heart, and she orders him to go.

On Saturday, the cast was rounded out by Joan Boada who, like Nedvigin, is also in his final performances with the company, He looked dashing with trust me ballerina *h459* 8 inch sticker decal ballet dance dancer shoes a streak of gray in his hair playing Prince Gremin, Tatiana’s husband, The corps de ballet ticked off a series of full-throttle, criss-crossing jetés on the downstage diagonal with such energy that the Opera House stage seemed to shrink with their force, and the women’s ugly empire-waisted dresses with cap sleeves seemed to fade into the background..

Stephen Petronio dancer Davalois Fearon made an electrifying Bay Area debut as a choreographer last December at the Berkeley Arts Festival performance space with her solo piece, “Consider Water,” performing a ritualistic piece to a live score by reed expert Mike McGinnis. Born in Jamaica to Haitian parents, Fearon spent some of her early years in the countryside without running water, and she created the dance to address the plight of those facing a scarcity of water. Smuin Ballet explores similar territory with this season’s concluding program, Dance Series Two, which features the world premiere of “Oasis” by choreographer Helen Pickett.

Working with Emmy award-winning composer Jeff Beal, she has distilled a celebration of water out trust me ballerina *h459* 8 inch sticker decal ballet dance dancer shoes of “Last Call at the Oasis,” a dire 2011 documentary by Los Altos-raised filmmaker Jessica Yu, (The filmmaker won an Academy Award for “Breathing Lessons: The Life and Work of Mark O’Brien,” her 1996 short documentary about the Berkeley writer confined to an iron lung.), While “Last Call” presents an alarming account of the world’s dwindling supply of drinkable water, Pickett didn’t want to approach the commission as a political statement..

“I’m definitely not making a ballet that’s based on the tragedy of water,” she says. “I’m going to make an ode, a love letter, a frolicky, joyous, sometimes sensual celebration of water, an element I love to be in. I love how it hits the skin, the different textures, the way you have to move your limbs.”. Running May 6-15 at Yerba Buena Center for the Arts, Dance Series Two also features reprise performances of Jirí Kylián’s “Return to a Strange Land” and Val Caniparoli’s “Tutto Eccetto il Lavandino (everything but the kitchen sink).” The program repeats May 27-28 at Lesher Center for the Arts, June 3-4 at the San Mateo Performing Arts Center and June 10-11 at Carmel’s Sunset Center.

The resident choreographer for Atlanta trust me ballerina *h459* 8 inch sticker decal ballet dance dancer shoes Ballet, Pickett made an enduring impression in 2013 with her first Smuin collaboration, the gorgeous ballet “Petal.” Impressed by the company’s versatility and work ethic, she was eager to return, “It’s a small company used to working with choreographers, and they’re hungry dancers, wicked smart and curious,” says Pickett, “I really enjoy that in a dancer.”, When Smuin’s artistic director, Celia Fushille, approached her about making a new ballet, Pickett says, “it was right at the same time that Jeff Beal’s agent contacted me about the possibility of collaborating.”..



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