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Best known now as the composer for the hit Netflix series “House of Cards,” Beal grew up in a musical East Bay family. As a young trumpeter interested in both jazz and classical music, he credits Castro Valley High and the Oakland Youth Symphony Orchestra for providing his strong musical foundation. Long championed by Kent Nagano, he premiered his first work for the OYSO as a teenager and years later, premiered his extended work for trumpet and orchestra with the Berkeley Symphony, led by Nagano.

After moving to Los Angeles, he made his Hollywood breakthrough with his score for the 2000 biopic “Pollock,” starring Ed Harris in the title role, His score for “Last Call at the Oasis” grabbed Pickett’s attention, and he combined the existing documentary score and new music for her ballet, While film and ballet are very different art forms, Beal sees his work for dance as a translation of his cinematic sensibility, 1990s square heel pumps, square heel flats, zebra pumps, ballet flats 90s minimalist, block heels, square toe career pumps, size “You’re telling a story, but sometimes it can come from a more abstract place,” he says, “Unlike film, the music comes first, For me, it was all about working out a dramatic structure, getting a score developed, It was totally fascinating, I had this epiphany early in my career where I found the joy of marrying music and image, Now I’m hearing my music in a different way just by seeing it danced.”..

Pickett, who spent her formative years training as a dancer in San Francisco Ballet School, when Michael Smuin co-led the SF Ballet with Lew Christensen during the early 1980s, thrives on collaboration. She found an eager partner in Beal. While the overall mood is celebratory, “Oasis” reveals its origins as a cautionary tale with a score that’s “sweeping and sometime ominous,” she says. “Jeff and I spoke often about rituals that are so often tied to water. There is an air of longing. Water contains a lot of power, and it can be relentless at times. This dance is very apt for California.”.

They’re 1990s square heel pumps, square heel flats, zebra pumps, ballet flats 90s minimalist, block heels, square toe career pumps, size increasingly worried about its presence in some cities as unlicensed broadcasters commandeer frequencies to play anything from Trinidadian dance music to Haitian call-in shows, And they complain the Federal Communications Commission can’t keep up with the pirates, who can block listeners from favorite programs or emergency alerts for missing children and severe weather, Helped along by cheaper technology, the rogue stations can cover several blocks or several square miles, Most broadcast to immigrant communities that pirate radio defenders say are underserved by licensed stations..

“The DJs sound like you and they talk about things that you’re interested in,” said Jay Blessed, an online DJ who has listened to various unlicensed stations since she moved from Trinidad to Brooklyn more than a decade ago. “You call them up and say, ‘I want to hear this song,’ and they play it for you,” Blessed said. “It’s interactive. It’s engaging. It’s communal.”. Last year, nearly three dozen congressional members from the New York region urged the FCC to do more about what they called the “unprecedented growth of pirate radio operations.” So did the National Association of Black Owned Broadcasters , which said pirates undermine licensed minority stations while ignoring consumer protection laws that guard against indecency and false advertising.

The New York State Broadcasters Association estimates that 100 pirates operate in the New York City area alone, carrying programs in languages from Hebrew to Gaelic to Spanish, Many also broadcast in and around Miami and Boston; 1990s square heel pumps, square heel flats, zebra pumps, ballet flats 90s minimalist, block heels, square toe career pumps, size FCC enforcement data shows agents have gone after at least one pirate in nearly every state in the past decade, The FCC has been discussing possible solutions, such as penalizing pirate radio advertisers, and in March urged landlords and government officials to look out for rogue broadcasters..

The alleged pirates include Jean Yves Tullias, a barber living in Irvington, about 15 miles from New York. The FCC claims he appropriated an unused frequency to broadcast his show, which includes church services, gospel music and a call-in program for fellow Haitians. Tullias denies any wrongdoing. Cutting hair recently at his barbershop, he said a friend broadcast his Internet radio show without telling him he used a pirated frequency. Tullias, 44, started his show because the local Haitian community “had no communication, nobody to help them,” he said.

“When you get that radio station, that prayer line, you feel comfortable,” he said of older listeners who speak 1990s square heel pumps, square heel flats, zebra pumps, ballet flats 90s minimalist, block heels, square toe career pumps, size little English and feel isolated, “You feel happy.”, Broadcasters are increasingly concerned because the FCC has gone after fewer pirates in recent years, The commission issued more than 100 warnings and fines against alleged pirates last year, compared with more than 400 in 2010, That number fell despite a “significant increase” in the number of pirate stations, tallied by David Donovan, president of the New York State Broadcasters Association..

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