French Vintage 1980s Two Tones Off White Canvas & Cognac Brown Leather Flat Slip On Loafers 80's Spectator Shoes Ballet / Eu - Clearance

French Vintage 1980s Two Tones Off White Canvas & Cognac Brown Leather Flat Slip On loafers 80's Spectator Shoes Ballet / EU 38 US 7Label : Chaneze Boutique (french independent shoe shop) made by Paco Herrero in SpainHigh quality label Era : 80sMaterial : cognac brown leather and off white canvas, flat wooden heel Condition : Excellent. They have not been worn much. Clean inside and outsideSize : not Listed Fits like a EU 37.5 or thin 38 / US 6 or thin 6.5 does not fit wide feet Measurements :Insole : 9.68 inches (24.6 cm)Heel: 1" (2.6 cm)Outer length: 10.23" (26 cm)Width (max): 3.54" (9 cm)

Solo performance isn’t for every actor, says Kornbluth, who’s been doing autobiographical monologues such as “Red Diaper Baby” and “Love &Taxes” since 1987. “But I think I have some weird glitch in my programming that makes me really enjoy it. Maybe because I’m so scattered — my brain is always going all over the place. It’s cool and unusual to be focused on one thing for a couple of hours.”. “Ben Franklin,” one of Kornbluth’s biggest hits, blends autobiography and American history (he loves doing research) in a deftly comic tale. It began while he was shaving one day; looking in the mirror, he noticed his close resemblance to the founding father.

Gomez’s shows also draw on personal history, “Latin Standards,” her latest, continues an exploration of family themes she began with “Los Big Names.” It’s partly about her father, a New York “comedian, insatiable presenter and low-budget entrepreneur,” she says, “I guess the thing I have from my father is this perseverance — the idea that just around the corner is that big break.”, Like Kornbluth, Gomez started out doing stand-up comedy, Since then, french vintage 1980s two tones off white canvas & cognac brown leather flat slip on loafers 80's spectator shoes ballet / eu she’s racked up a long list of credits in theater, film and television, But solo work has become central to her career..

The power of monologues came home to Gomez when she was invited to the Sundance Film Festival a few years back. She was one of five solo artists who performed for film directors — each of whom visualized her narrative in a unique way. “That’s the experience of going to a solo show,” said Gomez. “It’s like reading a novel or seeing a great film.”. She’s both author and performer, but Gomez, who also teaches solo performance as artist-in-residence at the Brava Theater, still considers her shows a collaborative effort. “Even though there’s no one else onstage, you work very closely with the director,” she said. “I bring in many of my colleagues and friends for consensus, and the audience also participates. We’re on a journey together.”.

However, if you’re expecting this R-rated comedy to be another “Dazed and Confused,” Linklater’s 1993 cult fave that was a french vintage 1980s two tones off white canvas & cognac brown leather flat slip on loafers 80's spectator shoes ballet / eu spot-on depiction of suburban high school life in the ’70s, you might be disappointed, This semi-autobiographical affair — dubbed and promoted as the “spiritual sequel” to “Dazed” — just isn’t in the same league, Still, there is much to like here, A large, fresh-faced ensemble cast with loads of raw talent, combined with Linklater’s knack for getting all the period details right make this a rowdy joy ride through college in the early ’80s..

Missing is “Dazed’s” broad spectrum of characters, ranging from zonked-out stoners to brainless bullies to sassy-smart girls. While “Everybody” does highlight various college cliques, it focuses our attention on the beer-soaked, pot-induced antics of a band of bromantic baseball players in the days leading up to the start of college. It’s a refreshingly uncynical film that buoyantly depicts the era. Operating in his comfort zone, Linklater keeps the high jinks real while incisively flinging open a cultural window. Despite the film’s raucous “Animal House” vibe, he once again wields a cinematic butterfly net to nab seemingly pointless events that have hints of greater depth. He definitely nails the look of 1980, from the midriff-exposing half-shirts guys swaggered around in to those amped-up dance spots where disco, punk rock and honky tonk spun on turntables.

And as is always the case french vintage 1980s two tones off white canvas & cognac brown leather flat slip on loafers 80's spectator shoes ballet / eu in a Linklater film, music plays a crucial role, and the soundtrack never disappoints, If you were in college around then, as I was, just hearing Devo’s “Whip It” and Hot Chocolate’s “Every 1’s a Winner” will bring back memories, As for plot, like “Dazed and Confused,” there’s not much of one, Our main protagonist is Jake (“Glee’s” Blake Jenner, in a breakout performance), a boy-next-door type with a killer smile and a major-league pitching arm, He arrives as a freshman at Southeast Texas State University and soon gets into a frat house with other guys from the team..

Initially, he doesn’t receive a warm welcome, because he’s a pitcher, a position his teammates bash for being weird and attention-grabbing. But Jake is such a genial, good-souled presence, he gains acceptance. His colorful, competitive roomies include the smooth-with-the-ladies (or so he thinks) Finnegan (a terrific Glen Powell from TV’s “Scream Queens”) and overly confident, hunky senior Glenn McReynolds (the scene-stealing Tyler Hoechlin of TV’s “Teen Wolf”). Other characters fade in and out like pot smoke — there’s a lot of that wafting around — and talk about scoring on and off the field.

Linklater stuffs the film with characters, including a classic California cliche — the pot-smoking Santa Cruz transplant Willoughby (Wyatt Russell) — and a crazy, rage-prone pitcher with a Nolan Ryan fixation named Jay Niles (Juston Street, who is both scary and funny), french vintage 1980s two tones off white canvas & cognac brown leather flat slip on loafers 80's spectator shoes ballet / eu They all are interesting enough to be memorable, but it’s not until Linklater introduces us to arts major Beverly (Zoey Deutch), who takes a shine to dreamy Jake, that the film comes alive, Their tentative romantic scenes are so sweet, intimate and genuine you wish there were more..

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