Vintage Tapestry Ballet Flats Shoes / Size 8 Narrow Eu 38.5 Uk 5 .5 / Woven Floral Fabric W Gold Metallic Black Bow Tie / Made I - Clearance

This is a classic styled pair of vintage fabric covered flats, with a trendy twist. They are made using a lovely woven floral brocade with metallic gold fibers. These were made in Spain, circa late 1980s - 90s era..• Vintage label: Cervelle - made in Spain• Vintage size marking: womens 8.0 N ( Narrow width)**Measurements equates Eur size 38.5 - narrow width UK size 5.5 - narrow width **Please compare your foot measurements to those of the shoe for proper fit. Or compare a pair of simular shoes which you have worn with the measurements below• Measurements:- Inside sole length: 10.00 inches- Outside sole length: 10.500 inches- Outside sole width @ widest: 3.00 inches- Heel height: .750 inch♥ Details >>- Uppers are made of woven tapestry fabric with a floral pattern using metallic gold threads- Large black fabric bow-tie across instep- Tapestry fabric covers the entire shoe and the flat heel- Shoes have a gold vinyl footbed and facings- Soles are made of a compostion material- These are designed a low vamp and small pointed toe box in front- Extra pair of black rubber heel taps are included• Condition: ...These shoes have been rarely worn and are in excellent condition. They have very little evidence of previous wear....no stains, tears or scuffs.♥ Item ships by USPS Priority mail, with tracking confirmation where applicable. ~ International shipping may revert to USPS 1st class mail, dependant upon final destination and weight. Any ship fee overpayment will be promptly refunded, in that case.To see all vintage footwear in this Etsy shop, use the link below:https://www.etsy.com/shop/GoodEye?section_id=5155222Thanks for the look!

Preston said that the bottom line is respect. “Respect for yourself, for each other, for the environment, for adults and teachers and for the game and the equipment,” said Preston, adding that he was brought up “old-school” in which “if you mess up, you clean up.”. “If conflict arises, we want kids to understand how it happened, to prevent it happening again,” Preston said. “We want kids to walk away from any conflict as friends.”. Vice Mayor Campbell Washington agrees.

In vintage tapestry ballet flats shoes / size 8 narrow eu 38.5 uk 5 .5 / woven floral fabric w gold metallic black bow tie / made i the classical dance world, “pure dance” means neoclassicism — dance dedicated to geometric form and rhythmic patterns that showcase the body’s linear beauty while playing up the physical possibilities of movement shorn of story, The kings of the genre remain the late George Balanchine, choreographic genius of New York City Ballet, and his late associate artistic director, Jerome Robbins, They did for dance abstraction what Mark Rothko or Helen Frankenthaler did for abstract expressionist painting..

Little wonder that Balanchine seemed to hover over “Prism” by San Francisco Ballet’s artistic director, Helgi Tomasson, or that Robbins floated above Christopher Wheeldon’s “Rush.” Tomasson danced with Balanchine and Robbins from 1970 to 1985, when he left to take the helm of the San Francisco company. He was commissioned by New York City Ballet to make “Prism” in 2000. The British-born Wheeldon set out from London for New York City Ballet in 1993, soaking up the spirit and ethos of neoclassicism and becoming that company’s first resident choreographer eight years later. His jazz-inflected “Rush,” first performed in San Francisco in 2003, is very much a paean to Robbins and Balanchine.

“Pure dance” can also allude to folk forms, where pattern and rhythm rule, Alexei Ratmansky’s jewellike “Seven Sonatas” (2009), the quiet, ingenious gem (and sole company premiere) vintage tapestry ballet flats shoes / size 8 narrow eu 38.5 uk 5 .5 / woven floral fabric w gold metallic black bow tie / made i in Program 6, gave folk and jazz inflections to the neoclassical language, breathing life into dependable ballet steps while also illuminating the folk nature of ballet itself, Each of the sonatas focuses on a musical element, and just as the composer, Domenico Scarlatti, explored and elegantly tinkered with his material, so Ratmansky (now American Ballet Theatre’s artist-in-residence) played with the structure and format of his dance studies to create the seamless look built on often wry and always poignant dance naturalism..

Ratmansky’s gentle humor was evident the moment the dancers, clad in white, sprang onto the stage with patterned idiosyncrasy, like characters in flight from a Chekhov play. Women repeatedly altered the placement of men’s bodies in relation to theirs, and the men adapted without complaint. One of the men took a wide-legged stance on the floor, left arm outstretched, and one of the women ran behind him and softly ricocheted off his arm. She then moved the arm out of her way before floating off as others moved in liquid configurations around them.

Roles that seemed solid were upended by jazz and modern-dance punctuation, leaps and patterns that consistently decomposed and reformed themselves in a kind of delightful cross-talk, The wonderful assembly of Mathilde Froustey, Joseph Walsh, Frances Chung, Gennadi Nedvigin, Vanessa Zahorian and Davit Karapetyan swiftly created partnerships and vintage tapestry ballet flats shoes / size 8 narrow eu 38.5 uk 5 .5 / woven floral fabric w gold metallic black bow tie / made i then often deconstructed those, Froustey stretched into arabesque like a modern-day sylph, Zahorian dropped back like a tango dancer, Karapetyan slammed his feet together as if part matador and part Tartar tribesman, Nedvigin quoted Robbins, Carrying them onward was Ratmansky’s ingenious spatial counterpoint and switchback forms..

In contrast, “Prism,” with its large cast, created big blocks of action that floated like autumn light on the surface of Beethoven’s Piano Concerto No. 1 in C major, performed brilliantly by the orchestra and grounded by Roy Bogas’ impeccable piano work. Styled in moody shades of pumpkin, ruby and beige, “Prism” featured a latticework of trios, and a studied flow that echoed Balanchine’s grand “Concerto Barocco.”. Sasha De Sola and her men, Vitor Luiz and Carlos Quenedit, knit the work together with elegance, while Sofiane Sylve and Luke Ingham offered up their duet like some regal puzzle. In a bravura solo, Taras Domitro ripped up the stage in circling leaps. Then, as if the ballet’s creator, he brought the assembly together to take bows.

Wheeldon’s “Rush,” a work as dark and sharp as ribbon candy, flowed with a sensuous and undulant certainty to the complex, jazz-inflected music of Sinfonietta La Jolla for chamber orchestra and piano by Bohuslav Martinu, Opening with a nod to Indian dance, Wheeldon seamlessly wove in jazz clenches and Graham contractions as humanity whipped across the vintage tapestry ballet flats shoes / size 8 narrow eu 38.5 uk 5 .5 / woven floral fabric w gold metallic black bow tie / made i stage, Maria Kochetkova and Joan Boada were mysterious and stately in their central roles, which were beautifully echoed by Max Cauthorn, Francisco Mungamba, Lauren Strongin and Jahna Frantziskonis..

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