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Taupe Nubuck ballet flats made with satin ribbons or with a leather ankle strap.• Standard fit & generally runs true to size• The design is super flattering on all feet shapes and sizes• Leather lining with leather soles (3mm) & anti slip rubber heels (6mm)• • • To make your ordering process easier, please read our FAQs, you'll find important information there about sizing, shipping, custom orders and more:https://www.etsy.com/shop/thewhiteribbon?ref=seller-platform-mcnav#more-section• Our ballet flats are entirely handmade by us with the highest quality of ethically sourced leather• If you do not see your size listed at check out, you can contact us and we can make your pair to order. Our made to order shoes take 3-4 weeks (can be slightly longer during high season: March-July)• We ship globally. Estimated delivery times by location are listed in our FAQs, policies, and shipping section of each listingWe are a sustainable label, read about our story here:https://www.etsy.com/shop/thewhiteribbon?ref=seller-platform-mcnav#aboutIf you want to double check your sizing, here is how to take your measurements:Trace your feet as follows: stand on a piece of A4 paper, circle your feet around with a straight standing pencil (without pressing too hard to the edges). Measure the distance between longest and widest points. Compare the measurements to the list below. It is best to measure your feet in the afternoon, when they are at their widest. Measuring width: Please note that the below measurements are of the soles of the shoe, in the uppers (inside the toe box) there is about 1-1.5cm more space. Often, you will find that your feet seem to be wider than our measurements. If they are no more than 1-1.5 cm wider than the measurements, you will fit perfectly in the standard width. In case you need any further assistance with determining the right size for you, please do contact us, we are here to help. Our sizes and precise outsole measurements:eu 35. us 5.5 l: 23 cm/9.05” w: 7.5 cm/2.95" (widest point)eu 36. us 6 l: 23.5 cm/9.25" w: 7.5 cm/2.95" eu 37. us 7 l: 24 cm/9.44" w: 7.7 cm/3.03"eu 38. us 8 l: 24.5 cm/9.6" w: 8 cm/3.14"eu 39. us 8.5. l: 24.9 cm/9.8" w: 8.2 cm/3.22"eu 40. us 9. l: 25.3 cm/9.92" w: 8.2 cm/3.22"eu 41. us 9.5 l: 26 cm/10.23" w: 8.5 cm/3.34"eu 42. us 10. l: 26.5 cm/10.4" w: 8.7 cm/3.42"eu 43. us 10.5 l:27.24 cm/10.7" w: 9 cm/3.46"For our detailed international sizing chart, please scroll down to our FAQs. CONTACT: via Etsy convo or Email: info [!at] thewhiteribbon.com

There were some nice moments early on, such as when he blended “Little Red Corvette” (from 1983’s “1999”) with the title track to 1980’s “Dirty Mind.”. Things got even better once he basically dropped the autobiographical accompaniment and just stuck to singing the songs. Prince sounded terrific at the piano — which might have come as a surprise to those who know him mainly for his face-melting guitar riffs — and he sounded even better at the microphone. His vocals were clear, yet soulful, and he handled a wide variety of material, slowing down up-tempo favorites and burning through big ballads. He played a number of his top hits, like “Raspberry Beret” and “Purple Rain,” and he also dusted off some rarities, including the showstopper “It” (from 1987’s “Sign o’ the Times”).

Prince even tossed in a cover of the Ray Charles favorite “Unchain My Heart,” which I like to think was a tip of the hat to its songwriter, Bobby Sharp, who lived in nearby Alameda, Prince seemed in great spirits, interacting with the fans like they were old, familiar friends, He was talkative, cheerful and playful, whether he was quoting hip-hop hero Kendrick Lamar or saying nice stuff about Golden State Warriors star Steph Curry, The one knock on this show — and it’s a big one — was that the colorful, kaleidoscopic imagery projected onto the huge screen in back of the stage was tough on the eyes — and stomach, It was a cool, nearly hypnotic effect for the first five minutes or so, but it stayed well past its welcome, It ended up being distracting and dizzying, leading to some complaints of taupe nubuck ballet flats | shoes with satin ribbons | taupe nubuck ballet flats | taupe with satin ribbons | ready to ship nausea..

The main set only lasted about an hour, yet Prince — as he’s known to do — made up for it by tacking on multiple encores. The highlight of the segment was the richly dramatic take on “Nothing Compares 2 U,” the Prince-penned ballad that Sinead O’Connor made into a massive hit in 1990. Prince finally called it quits after roughly 100 minutes of music, to take a short break and get ready to rock the 10 p.m. show. […] to honor his incomparable musical creativity, here is a little review of “Piano and Microphone,” his last tour in March, 2016.  I was so lucky to be at the sold-out show at Oracle Arena, […].

He will return to Yerba Buena Center for the Arts with his Bill T, Jones/Arnie Zane Company March 10-13 to present the West Coast premiere of “Analogy/Dora: Tramontane,” an evening-length work that builds on his previous investigations into what it means to survive harrowing circumstances, In this case, he has looked close to home with a piece based on the oral history of his now 95-year-old mother-in-law, Dora Amelan, a French-Jewish nurse and social worker who lived through the Nazi occupation of Belgium and France, Jones initially conceived of the conversations taupe nubuck ballet flats | shoes with satin ribbons | taupe nubuck ballet flats | taupe with satin ribbons | ready to ship as a gift for his husband, Bjorn Amelan, the sculptor and designer who often creates the decor for Bill T, Jones/Arnie Zane Company productions..

“I did the oral history around 2002, and there were some stories Bjorn was not familiar with,” says Jones, 64. “I felt that Dora is a great raconteur, a French woman of a certain generation who loves to have a great meal, have a glass of wine and start telling stories. She would be the entertainment, while Bjorn was working in the kitchen. And then things started coming out that I thought should be recorded.”. Inspired partly by the scrapbook collage of German writer W.G. Sebald’s award-winning 1992 novel “The Emigrants,” Jones distilled Dora’s story into some two dozen episodes, which serve as an outline for the choreography, narrative and music. Recounted in nonlinear fashion, the episodes detail her family life before the war, her mother’s death during the Nazi invasion of Belgium and her work in the Jewish underground during France’s collaborationist Vichy regime.

“Analogy/Dora” unfolds via dance, vocals and recitation on a set designed by Bjorn Amelan that is built and deconstructed by the company members during the performance, suggesting alternately a hotel, railway station and barracks, The score often moves to the foreground, featuring the lyrics of Charles Trenet’s “Le Soleil et la Lune” and other songs of the wartime era, as well as some of Schubert’s most evocative lieder, plus original music composed and performed by Nick Hallett, The narrative sometimes works in tandem with the choreography, at other times in taupe nubuck ballet flats | shoes with satin ribbons | taupe nubuck ballet flats | taupe with satin ribbons | ready to ship enigmatic counterpoint..

“I have taken dance out of the name of the company now,” Jones says. “I am ever more embracing the fact that my whole career had been trying to create an ensemble that can handle text, sing and move nimbly. (With) the editing, juxtaposition to music and the way events are reported and repeated, Dora’s story has become material now, made into dance. “Movement is at the heart,” Jones continues in an interview, “but as in most of my career, I’m interested in disparate elements that are greater than the sum of their parts. I’m a great fan of the way Sebald folds in different elements, journals (and) photographs into the form of an experimental novel.”.

Jones arrives in the Bay Area at a transitional moment in his company’s history, In addition to the recent name change, there has been substantial turnover of taupe nubuck ballet flats | shoes with satin ribbons | taupe nubuck ballet flats | taupe with satin ribbons | ready to ship personnel in the troupe; three of the nine performers joined in the past six months, Performing for Jones requires a broader set of skills than needed in most dance companies, He sees “Analogy/Dora: Tramontane” — the first in a trilogy of works based on oral histories — as an ideal proving ground for his cast..

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