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Apart from the essential fundraising, this year’s event paid tribute to the Sobrato Family and Sobrato Philanthropies. The unique fundraiser, held at the Santa Clara Marriott hotel, boasted a lively audience of some 200 guests, who contributed $350-$1,000 per person and up to $10,000 per table to enjoy an evening of costumes, cocktails, dinner and dancing. This year the event raised over $300,000 to help support the TheaterWorks productions, education and the New Works programs. Theater is an ancient art form, going back to at least to the Greeks. The only way that high quality local theater such as TheaterWorks has and will continue to survive is through sponsorship, as ticket sales at non-Broadway prices can only cover a portion of the costs.

The Sobrato family has signed the Warren Buffet pledge to donate at least 50 percent of its wealth to charity and philanthropic causes, and has already donated more than $314 million to local agencies, The Sobrato Center for Non-Profits is a huge office and warehouse complex which is home to more than 70 nonprofits, including TheatreWorks, which makes good use of the offices, rehearsal, storage and classroom space, At the Anything Goes gala, after a sumptuous dinner of prime filet of beef and lobster tail washed down with delicious wines from J, Lohr, it was auctioneer Larry Schnyder’s turn, The lots ranged from a walk-on part in TheatreWorks’s forthcoming production of “Emma” to two industry-only passes to New York city’s Festival of New Musicals, including meet-and-greet with producers and artists, The most exciting and truly priceless floral hamd embroidered jutti | khussa| mojari | ballet flats item was the opportunity to become the subject of a new song written and produced by Broadway composer Andrew Lippa, and this sold for $15,000..

After dinner, tables bid for the chance to be the first in the “Dessert Dash” allowing them to choose from the lovely sweets created by local bakeries and private donors. The highest bidding table paid $1,260, and it looked like the dessert was worth every penny. Entertainment for the evening was provided by TheaterWorks alumn Lianne Marie Dobbs, who sung a selection of old standards such as “An Old-fashioned Millionaire,” “As Time Goes By,” and selections from “Emma.” She was accompanied by Larry Dunlop and Pat Clovis on piano and bass. The evening ended with dance music provided by the E-Ticket Band, a 7-piece rock and soul dance ensemble headed by TheatreWorks board trustee Ciro Giammona.

Organizing the event were Committee chair Judy Heyboer, and Committee members Jayne Booker, Anne Hambly, Carolyn Schutz, Nancy Ginsburg Stern, Lynn Szekely-Goode, Gayla Lorthridge Wood, and TheatreWorks Board Chair Barbara Shapiro, Heyboer said that one of the main goals of TheatreWorks going forward was to attract new audiences while keeping the existing ones, All in all floral hamd embroidered jutti | khussa| mojari | ballet flats an outstanding evening, which raised a handsome sum of money for the excellent cause of keeping live theater thriving in the Bay Area..

The 1949 winner of the first Tony Award ever presented for best musical, “Kate” shows its age in many ways — in spite of its stellar credentials. After all, the incomparable Cole Porter wrote the music and lyrics. So it’s unfortunate that the book (by Samuel and Bella Spewack) doesn’t really hold up its end of the bargain. It’s supposed to be a musical version of William Shakespeare’s “The Taming of the Shrew,” that follows both the onstage and backstage antics of a touring company. The leading actors are exes who still have a yearning for each other but who mostly show it by bragging about their newest romances and feuding both off and onstage.

Throw in a couple of gun-toting gangsters as comic relief, and some great dance numbers — and “Kate” has all the ingredients for a hit, Unfortunately, it’s the 1940s-era humor and unconvincing romantic entanglements which now seem rather tame at the least — and way too obvious at best, Happily, Dolores Duran-Cefalu’s sharp musical direction of a first-rate orchestra brings nearly every one of Porter’s hits to life, Granted, it will be people over 60 who actually remember most of the songs, but they are timeless classics that deserve floral hamd embroidered jutti | khussa| mojari | ballet flats to be played (and sung), There’s “So in Love,” “Too Darn Hot,” “Another Op’nin’ Another Show,” “Wunderbar,” “Always True to You (In My Fashion),” “From This Moment On” and more..

The songs alone — coupled with some excellent vocals from several of the actors — are almost worth the price of admission. Almost. Certainly director Milissa Carey has the musical theater cred to pull off this production (she’s directed “Sunday in the Park with George,—South Pacific” and “Little Shop of Horrors,” among numerous others). Yet the plot plods wearily on — and on. Sometimes even the musical numbers go on too long (the lethargic “Why Can’t You Behave?” for one), and even the terminal cuteness of the two would-be thespian gangsters (loveable Ray D’Ambrosio as Second Man” and more-subdued Ken Boswell as First Man) take maybe one too many curtain calls in their spotlight number, “Brush Up Your Shakespeare.”.

The show’s opening number, while lengthy, gives the audience the opportunity to revel in the talent of some incredible singers and dancers: clear-voiced Jessica Coker as Hattie, dancing dynamo Isaiah Boyd as Paul, and Zach Padlo as Bill Calhoun (in the play-within-a-play, he is Lucentio), Naturally the musical’s two main characters, Lilli/Katherine and Fred/Petruchio, have the most stage time as the feuding couple on and off floral hamd embroidered jutti | khussa| mojari | ballet flats stage, Both have their impressive moments, and raven-haired Amie Shapiro, as Lilli, has the best voice in the large cast, She also shows the perfect amount of feistiness and sass for the dual role..

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