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But Silicon Valley Ballet is caught in a Catch-22. Without financial resources to expand the season and hire more dancers with full-year contracts, the troupe can’t flourish. And without growing artistically, it can’t attract funding. I hope some potential donors out there understand what is at stake here, and help Silicon Valley Ballet get on a sound footing. Unfortunately visa problems prevented Carreño’s brother, Yoel Carreño, from dancing Friday as a guest artist in the role of Albrecht, as initially announced.

After intermission they shimmied to the irresistible jazz rhythms of Fats Waller and Jelly Roll Morton while intermittently breaking into yoga poses, This was nothing new for the doyenne of high-low dance, Since the Indiana-born, California-raised dance sticker decal *e365* dance shoes dancer ballet tap crunk robot choreographer launched her career in 1965 with the comically absurd “Tank Dive,” complete with swimming fins, yo-yo, and high heels, she has been kicking sand in the face of uptown and downtown dance alike, Beginning as an iconoclast with breathtaking musicality and comic genius as a dancer, she tore down the barriers separating ballet from boogaloo, ballroom and modern dance, She then concocted fusions of elegance, funk, romance and comic-book Gothic, Her works ranged from masterpieces to noodling..

Tharp also worked both sides of the aisle. Besides making the first “cross-over” ballet, “Deuce Coupe,” (1973, American Ballet Theatre), she set about mounting Broadway shows like “Singin’ in the Rain and “Movin’ Out,” and choreographing films like “Hair” and “Amadeus.” Now 74, with more than 160 works to her name, she is on a 17-city tour with her gifted dancers in a program that looks back at her complex career. The night opened with a short “First Fanfare,” set to glistening brass sound by composer John Zorn — literally, a brief herald that called the program to order. It moved on to “Preludes and Fugues” for the subversively classical portion of the night — what Tharp, in the program, notes refered to as “the world as it ought to be,” counterbalanced in the second half with “Yowzie,” representing the world “as it is.”.

Although “Preludes” is classically framed by Bach music, it nevertheless deliciously erupted with movement flashbacks to the choreographer’s own dance past and allusions to the myriad idioms of 20th-century dance, Trained in ballet, gymnastics, baton twirling and dance sticker decal *e365* dance shoes dancer ballet tap crunk robot the work of Martha Graham, Paul Taylor and Merce Cunningham, Tharp, who has a comedian’s sense of timing, made balletic arabesques suddenly dissolve into “The Castle Walk,” or asked a dancer to drop seamlessly into a Graham plank from elegant heights..

These were like beautiful tremors in what otherwise could have been a placid stream, and were set to 21 of the 24 preludes and fugues of Bach’s “Well Tempered Clavier,” book one. As these sublime musical segments veered from the swift and optimistic to the melancholic and slow, the choreographer mirrored, upended and countered the sounds to create an abstract human drama that flowed like water. With exquisite moments dashed subversively — by the sudden comic squiggle of Berkeley native Ramona Kelley’s head at the top of balletic jumps; Kaitlyn Gilliland’s neoclassical arabesque that stretched so far it conveyed sexual heat; a quartet of bodies dancing with metronomic constancy while another four danced with spare punctuation; a brief dance of death; and a final beautiful, elegiac processional in the round, echoing the earliest modern dance — “Preludes” was a knockout.

Like dance sticker decal *e365* dance shoes dancer ballet tap crunk robot a novelist, Tharp writes variations on the same story with almost every dance, “Yowzie” was the part of the program with the rakish appearl of a comic book, its inanity in league with comedies like “Dumb and Dumber.” A dance without heroes, martyrs or “acrobats of god” (as Martha Graham described dancers), it displayed the human pageant as populated by village idiots, “Yowzie” was led by longtime Tharp dancer John Selya, who at 45, dances with winsome gravitas, This work has few bones, and that is both its strength and weakness, Lacking the rigorous structure of “Preludes,” “Yowzie” devolves into patterned, two-dimensional shtick, and fusion becomes a kind of desultory procession, The aimlessness wasn’t helped by Santo Loquasto’s hellish tie-dyed costumes, which seemed to conjoin the Beverly Hillbillies with the Grateful Dead — my idea of a nightmare, Still, Tharp finds redemption in this goofiness, The dance’s brain-dead pleasure seekers are foolish souls, not vicious ones, benighted but not bad..

“This is a controversial issue, but I think there is obviously enough of a crisis we do need to take a look at what our options are,” said Councilman Vinnie Bacon, who made the request for city to look at rent control and “just cause” evictions. Several people urged the council on Tuesday to look at ways to limit rent increases and evictions, and increase affordable housing. Many asking for more regulation identified themselves as members of Residents Insisting on Social Equity for Fremont, or RISE Fremont, a grass-roots group addressing the housing crisis.

Fremont does have residential rent increase mediation, but some complained it is not strong enough, Mayor Bill Harrison said he was not in favor of rent control because he has seen long-term problems, such as landlords being less motivated to make improvements, He said there are several possible solutions, and he encouraged staff to work with both tenant advocates and landlords, Before the change, Fremont issued massage technician permits, In addition, all dance sticker decal *e365* dance shoes dancer ballet tap crunk robot massage businesses will have to apply for an $84 yearly background check, The business owner will be responsible for the conduct of all employees..

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