A Stretch, Ballerina Warming Up, Ballet Shoes Painting, Framed Figurative Oil Artwork By Alex Jabore No Print, Original Art - Clearance

Artist's description:A large part of me prefers creating works showing the process behind the performance, the hard work, study and preparation. I've varied my composition, splitting the painting across the middle, her figure straddling the line.It is a painting based on an incredible young dancer called Heiley Fairhurst, and is the beginning of a series of collaborations together. In all her poses she's wonderfully graceful and commanding, her physical and technical strength absolutely mesmerizing.The painting itself it framed in a painted wood frame, custom made for this artwork. It is a painted light grey wooden frame.Materials used:Artist Quality Oil Paintings, Canvas Board, Framed Best Price Guaranteed Ready to HangOil painting on Panel / Board / MDFOne of a kind artworkSize: 48.99 x 39.01 x 5 cm (framed) / 29.97 x 19.81 x 0.3 cm (unframed)This artwork is sold framedSigned on the frontReady to hang

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But it’s not a surprise, Nor is it a stretch, ballerina warming up, ballet shoes painting, framed figurative oil artwork by alex jabore no print, original art a nail in the coffin of South Bay arts, The classics may always reside primarily in San Francisco, but Symphony Silicon Valley and Opera San Jose remain strong, And a grass-roots arts and culture scene is percolating here, offering what we hope will evolve into a stronger arts identity that is our own, It grows from ethnic roots in this richly diverse region, with San Jose Taiko, Abhinaya Dance Company of San Jose, MACLA and other longtime institutions growing stronger and ever innovating, It grows from San Jose’s Zero1, the intersection of arts and technology that nurtures art forms Silicon Valley can call its own..

The ballet’s energetic board and staff was smart to let go when it did. You can only do so many emergency fund drives, and the days of the city acting as an ATM for struggling groups is past. We rooted for this wonderful troupe to reinvent itself with its charismatic artistic director and broadening of its reach. But it’s a Silicon Valley value to know when it’s time to move on, and that time arrived. The ballet’s passing is reason to refocus on what we have and how to nurture creativity in San Jose, the urban core of Silicon Valley. Organizations ranging from Silicon Valley Creates, SPUR, the Knight Foundation’s local office and others have this goal as a core value, understanding that arts and culture create stronger communities and make places better for residents, whether or not they consider themselves patrons.

Sometimes a touch of entrepreneurship makes a huge difference, When the San Jose Symphony folded in 2001, arts entrepreneur Andrew Bales revived it with a business model employing guest conductors and more community partnerships, It is not the San Francisco Symphony, but it brings wonderful music to the South Bay and enough artistically soaring moments to keep audiences coming back, When a stretch, ballerina warming up, ballet shoes painting, framed figurative oil artwork by alex jabore no print, original art the San Jose Repertory Theatre faced up to the inevitable and suddenly dissolved in 2014, subscribers felt bereft, But San Jose Stage and City Lights theater companies offered to honor Rep season tickets, and many theatregoers are delighted with the intimate spaces and high quality, edgy productions, Companies like these abound in San Francisco in the shadow of the classical arts, Here we hope they multiply and become the stars of the South Bay, They certainly shine..

City Hall can help by investing in creating places for arts and culture to thrive, as city revenue improves, and by partnering in events that showcase what we have to offer — planting seeds and helping them grow. Mayor Sam Liccardo likes to call out the best of the city with a cheer of “We are San Jose.” We are not San Francisco. Or New York. Or London. But we can build strength and value in the community that we are — honoring older institutions that have faded but focusing on the future.

Baseball fans saw Giants radio announcer Mike Krukow, and “Voice of the Giants” stadium announcer Renel Brooks-Moon, in the audience, Krukow’s son, Wes Krukow, is a dancer with Smuin Ballet, The evening included a cocktail reception, dinner, and a performance by Smuin dancers, including a comical choreographed version of Abbott and Costello’s “Who’s On First?” routine, Co-chaired by Patti and Jerry Hume, and Athena and a stretch, ballerina warming up, ballet shoes painting, framed figurative oil artwork by alex jabore no print, original art John Konstin, the event raised more than $380,000 for the troupe..

Guests included former San Francisco Mayor Willie Brown, state Sen. Mark Leno, and San Francisco Supervisor Scott Weiner. The program included remarks by Smuin Artistic Director Celia Fushille, followed by Smuin dancers, performing a lively hip-hop number in hoodies to “WTF (Where They From)” by Missy Elliott, a slinky love duet to Nancy Sinatra’s “Bang Bang,” an athletic dance to Nina Simone’s “Feeling Good,” a classic pas de deux to Shostokovich, and an energetic work for the entire company to Elle King’s “Ex’s & Oh’s.” Among those applauding: Smuin Ballet Managing Director Rhonda Grossman, and trustees Bruce Braden, Dell Larcen, Karen Kadushin, F. Thomas Aden, Lee Baxter, and Robert Challey, as well as guests including Vicki and David Fleishhacker, Sally and Warren Debenham, Sallie and Leon Huntting, Ann Moller Caen, Delia Erlich, and other Smuin supporters.

The event, one of 21 United States Equestrian Foundation Heritage competitions, a stretch, ballerina warming up, ballet shoes painting, framed figurative oil artwork by alex jabore no print, original art draws hundreds of horses and riders and raises funds for the Vista Center for the Blind and Visually Impaired, There will be luncheons, dinners, a gala dinner dance, a vendor row and opportunities to donate, The Circus Club began in 1920 when youngsters gathered to perform on ponies and show pet cats, goats and dogs that had been trained to do stunts, That first event, held at an estate in Atherton, raised money for Stanford Convalescent Home (now Lucille Packard Children’s Hospital)..

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